By - A. O. SCOTT
Category - Animation
Source -http://movies.nytimes.com
Category - Animation
Source -http://movies.nytimes.com
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| Animation |
“A Cat in Paris”
is a nifty little caper in which blustery gangsters, intrepid
detectives, cat burglars (one of them literally feline) and a little
girl named Zoé scamper across nighttime rooftops unraveling a pleasantly
tangled plot. The film, just about an hour long and directed by the
French animation team of Jean-Loup Felicioli and Alain Gagnol, is also a
refreshing reminder, at a time of large-scale, highly polished
cinematic spectacle, of the essential, elemental sources of
movie-watching pleasure.
A movie is a story told in pictures; a
cartoon, however digitally torqued and dimensionally expanded, is
essentially a bunch of drawings. The images in “A Cat in Paris” are
pointedly and delightfully off-kilter and out of proportion. Feet are
much too small for bodies. Perspectives shift and slide. Apparently
solid objects have a tendency to wobble. The laws of physics are
brazenly flouted as Mr. Felicioli and Mr. Gagnol take splendid advantage
of the freedom that animation can offer to the hand, the eye and the
imagination.
But amid the anarchy are also rigor, an
attention to emotional nuance and narrative detail that make the film
satisfying as well as charming. The cat, Dino, divides his time between
two human companions. At night, he is the accomplice to an honorable,
nimble thief named Nico. When morning comes, he snuggles up with Zoé,
bringing her freshly killed lizards (and in one instance a freshly
stolen bracelet) as tribute.
Zoé lives with her overworked mother,
Jeanne, and is looked after by a suspiciously outgoing housekeeper.
Jeanne is a police detective, as was her husband, killed in the line of
duty by Victor Costa, a criminal mastermind currently plotting a
big-time art heist.
Since her father’s death, Zoé has not spoken
a word, but her face — a minimal composition of a few lines and circles
topped by a curve of orange hair — expresses all the feelings of a
lonely, sensitive child.
Like a fairy tale heroine, Zoé is drawn into
a wild and dangerous adventure that tests her resourcefulness and
rewards her sound moral instincts. The plot has the pleasing complexity
of a mechanical toy — the pieces click together nicely, and the whole
contraption zigzags according to its own whimsical logic — and the
filmmakers find many opportunities for mildly surrealist visual
invention.
When the lights go out, characters turn into
chalk outlines on a black background. Fantasies occasionally take
literal form, as when Jeanne imagines her nemesis, Costa, as a giant red
octopus.
Costa himself suffers a hallucination that
turns “A Cat in Paris” briefly into a monster movie. The close-set,
odd-angled buildings of Paris are lovingly rendered, as are the gargoyles of Notre Dame, who solemnly observe a climactic sequence of high-altitude score settling.
Children watching “A Cat In Paris” may
experience a few moments of fright and sorrow — there is gunfire, and
Dino’s murder of innocent lizards is celebrated rather than condemned —
but they are also likely to be captivated by its elegant mixture of
gravity and mischief.
As are adults, since there is very little of
the noisy, sentimental pandering that is too often a feature of
kid-targeted entertainment nowadays. This movie is graceful, subtle and
sure-footed, much as its English title implies.
“A Cat in Paris” is rated PG (Parental guidance suggested). Some scary, sad stuff.
A Cat in Paris
Opens on Friday in New York, Los Angeles, San Francisco and San Diego.
Directed by Jean-Loup Felicioli and Alain
Gagnol; written by Mr. Gagnol; graphic design by Mr. Felicioli; edited
by Hervé Guichard; music by Serge Besset; produced by Jacques-Rémy
Girerd, English version produced by Eric Beckman, David Jesteadt and
Michael Sinterniklaas; released in both English and French versions by
gkids. Running time: 1 hour 7 minutes.
ENGLISH VERSION WITH THE VOICES OF: Marcia
Gay Harden (Jeanne), Anjelica Huston (Claudine), Matthew Modine (Lucas),
J B Blanc (Victor Costa), Steve Blum (Nico), Lauren Weintraub (Zoé),
Mike Pollock (Mister Baby/Zookeeper), Phillipe Hartman (Mister Hulot),
Gregory Cupoli (Mister Frog), Marc Thompson (Mister Potato/Frank), Eric
Bauza (Dom/Dog Owner) and Barbara Goodson (Old La.
Source - http://movies.nytimes.com/2012/06/01/movies/a-cat-in-paris-the-animated-french-film.html

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